| Stage talk. |
| Stage lines |
| Digressions |
| Private lines |
| Muttered mots |
| Single halves |
| Some comments |
| Stage remarks. |
| Stage comments |
| Stage whispers |
| Singles (hyph.) |
| Some monologues |
| Some mutterings |
| Whispers, maybe |
| Covert comments |
| Throwaway lines |
| Play digressions |
| Private comments |
| Private remarks. |
| Some stage lines |
| Actor's comments |
| Dramatic devices |
| Tangent thoughts |
| Off-mike remarks |
| Off-mike comments |
| Stage digressions |
| Stage confidences |
| Brief digressions |
| Muttered comments |
| Parenthetical text |
| Playwrights' ploys |
| Stage observations |
| Theatrical devices |
| Verbal digressions |
| Verbal incidentals |
| Sotto voce remarks |
| Certain stage lines |
| Dramatists' devices |
| Muttered commentary |
| Private digressions |
| Digressive comments |
| Parenthetical lines |
| Tangential comments |
| Incidental comments |
| 45 moneymakers, once |
| Dramatic revelations |
| Stage parentheticals |
| They may be dramatic |
| Words to the audience |
| Comments to the crowd |
| Many stage mutterings |
| Parts of some rambles |
| Private stage remarks |
| Stage whispers, maybe |
| Lines to the audience |
| Parenthetical remarks |
| Many of Hamlet's lines |
| Parenthesized comments |
| Stage actors' whispers |
| They go in parentheses |
| Parenthetical comments |
| Actors' lines, at times |
| Comments in parentheses |
| They contained the hits |
| Comments from the stage |
| Hand-to-mouth comments? |
| Remarks to the audience |
| Actors' spoken thoughts. |
| Whispers in stage acting |
| Sotto voce stage remarks |
| Comments to the audience |
| Spoken thoughts, in a way |
| Actor's sotto-voce remarks |
| Actors' remarks to audience |
| Parts of a rambling oration |
| They might be parenthesized |
| Lines spoken to an audience |
| They might be in parentheses |
| Spots for the hits, on old 45s |
| Stage comments to the audience |
| Songs most often played by D.J.s |
| Thespians' words with the audience |
| Thought-revealing drama techniques |
| Actors' lines to no one in particular |
| Comments spoken directly to the audience, not to another character |